Is sean baker gay




is sean baker gay

Sean Baker (born February 26, ) is an American filmmaker. He is a director, writer, editor, and producer of independent narrative feature films which are most often about the lives of marginalized people, especially immigrants and sex workers. In , Sean Baker co-produced, co-shot, and edited the film Tangerine, which was about a transgender sex worker. The film was shot using three iPhone 5S smartphones.

Sean Baker, the writer/director of Anora, tells us about the connection between his new movie and an erotic lesbian vampire film from In the end, the year’s big winner was Anora, Sean Baker’s indie about the eponymous sex worker whose Cinderella story became a real-life Cinderella story at the Oscars, taking home a total of 5. Explore the biggest queer moments from the 97th Academy Awards, including Wicked’s major wins, Sean Baker’s record-breaking night, and Cynthia Erivo’s unforgettable performance.

Name: Sean S. I try to keep it the same! I try to keep it small, I try to keep us always in a sort of guerilla, indie, shoot from the hip sort of mentality, keeping open to serendipity and happy accidents. The only way to do that is to be controlled — you have a job to do, and you're spending people's money, and you have a limited amount of time — but you can't be too controlled. So what I always like to say is: you control 90 percent but then you leave 10 percent up to the film gods, because those happy accidents are what make these movies.

You have to be open to real life! You try for minimal lighting, you try for real location, you take the actors and you throw them into real life and see what happens. I try my best to retain that. Does that indie mentality get harder to maintain when your success in this industry increases? It does get harder because I'm a higher profile now. It's a little bit harder. But I also work with an incredible crew that really understands that sort of DIY filmmaking and wanting to stay on the fringe and and stay out of the Hollywood machine.

These are lessons I learned from Jim Jarmusch! You don't have to apply everything film school taught you. There's not only one way of making a film, anybody can make a film, and there's a million different ways of doing it. We try to mix it up and break the rules. Would breaking the rules also mean potentially shifting to a completely different kind of filmmaking, like a big studio production or an action film?

I would like to take a swing at action, sure!

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I don't want to, suddenly, tomorrow, deliver a sci-fi epic that takes place on another planet. It would be shocking to my fans — and to me too. So I have to take baby steps, and that's what I've been doing. Now I can play with different tones and genres. So I'm continuing to do that. I guess let's see what happens on the next one.

Do you have any future ideas brewing now? Or are you the type of filmmaker who has to fully complete a project before embarking on the next one? I can't creatively juggle. So once I decide what's happening with one project, then I can't think of anything else. Connecting with the community seems like an integral part of your process, at least where Anora was concerned.

With Anora , the film centers around Brooklyn, neighborhoods like Brighton Beach and Coney Island, which are visually very exciting. People have been shooting in Coney Island forever. Many filmmakers have done it, so it was a challenge of mine to try to capture that world in a slightly different way than filmmakers like Walter Hill or James Gray have. It's very culturally rich.