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Since the movie's release, there's been some conversation. But though Raya, like Moana and Elsa before her, is a Disney princess who isn’t saddled with a male love interest in the film, Raya and the Last Dragon is the latest Disney offering to. The princess removing her gloves – a garment the Queen is known for wearing while greeting her subjects – created a symbolic closeness between Diana and gay men, which still exists today.

My earliest memory of Princess Diana is actually of myself, as a young gay boy, playing dress up. Everything I know about Diana today has come from documentaries, TV dramas and films made after her death, but when I see her big blue eyes giving one of those glances, I still feel emotional. Right now, pop culture shares my fixation with Diana.

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The latest film to take on her story is Spencer , starring Kristen Stewart, whose performance is already generating Oscar buzz. In fact, the most recent portrayals by Stewart and Corrin — two actors who are part of the queer community — are just one part of a wider queering of her legacy. Viewing Diana through the academic lens, her queer icon status is both easier and more difficult to understand.

But Diana has increasingly been portrayed as a rebellious figure, who wrestled with the constraints of royal life and frequently challenged them. Gay men, for example, are known for often making icons out of famous women rather than gay male celebrities. The connections between Garland and Diana are obvious. Both were beautiful women who died young in tragic circumstances after being thrust into the spotlight at an early age.

They were both let down by people close to them and exploited by the press. The fairytale narrative of being plucked from obscurity, as Garland was via her breakthrough role as Dororthy in The Wizard of Oz, is another story they share. The same logic applies to Diana. She provided a blueprint for navigating hostile surroundings.

Her public life was punctuated by events including gay people: she he had close friendships with George Michael, Gianni Versace and Freddie Mercury. Despite plenty of scientific evidence that HIV and AIDS could not be passed on y hugging or shaking hands, the stigma was still powerful. Gay men were treated like pariahs, ostracized by family and fired from their jobs. The princess removing her gloves — a garment the Queen is known for wearing while greeting her subjects — created a symbolic closeness between Diana and gay men, which still exists today.

In the aftermath of the AIDS crisis, generations were raised to believe that gay men were destined to lead lonely lives and die young. From Mary Antoinette to Marylin Monroe and Amy Winehouse, death turns queer icons into timeless, mythologized figures. This type of duality is embedded in the queer mourning of Diana. To him, this was a small mercy, but to others it only added to the sadness of her death.

In her memory, there are so many contrasts: beauty on the outside and alleged sadness behind the scenes. Public affection and private loneliness. Her rebellious warmth inside a cold and conservative institution. And the way we can feel so close to her, without ever knowing her. Still, it would be a shame for Diana to be remembered solely for tragedy and pain, particularly by queer people.

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After all, there was an unguarded joy to the way she conducted herself in public, particularly with her children. A meme that circulated in feels like a nod to this side of Diana. Seeing people project all types of stories and jokes onto the short clip got me thinking. Instead, fictionalized versions of her and historic events have been dragged into that space. At the start of this essay, I told you that I used to dress up as Diana as a young boy.